The Popular Girl
F. Scott Fitzgerald
ALONG ABOUT HALF-PAST ten every Saturday night Yanci Bowman eluded her partner by some graceful subterfuge and from the dancing floor went to point of vantage overlooking the country-club bar. When she saw her father she would either beckon to him, if he chanced to be looking in her direction, or else she would dispatch a waiter to call attention to her impendent presence. If it were no later than half-past ten—that is, if he had had no more than an hour of synthetic gin rickeys—he would get up from his chair and suffer himself to be persuaded into the ballroom.
“Ballroom,” for want of a better word. It was that room, filled by day with wicker furniture, which was always connotated in the phrase “Let’s go in and dance.” It was referred to as “inside” or “downstairs.” It was that nameless chamber wherein occur the principal transactions of all the country clubs in America.
Yanci knew that if she could keep her father there for an hour, talking, watching her dance, or even on rare occasions dancing himself, she could safely release him at the end of that time. In the period that would elapse before midnight ended the dance he could scarcely become sufficiently stimulated to annoy anyone.
All this entailed considerable exertion on Yanci’s part, and it was less for her father’s sake than for her own that she went through with it. Several rather unpleasant experiences were scattered through this past summer. One night when she had been detained by the impassioned and impossible-to-interrupt speech of a young man from Chicago her father had appeared swaying gently in the ballroom doorway; in his ruddy handsome face two faded blue eyes were squinted half shut as he tried to focus them on the dancers, and he was obviously preparing to offer himself to the first dowager who caught his eye. He was ludicrously injured when Yanci insisted upon an immediate withdrawal.
After that night Yanci went through her Fabian maneuver to the minute.
Yanci and her father were the handsomest two people in the Middle Western city where they lived. Tom Bowman’s complexion was hearty from twenty years spent in the service of good whisky and bad golf. He kept an office downtown, where he was thought to transact some vague real-estate business; but in point of fact his chief concern in life was the exhibition of a handsome profile and an easy well-bred manner at the country club, where he had spent the greater part of the ten years that had elapsed since his wife’s death.
Yanci was twenty, with a vague die-away manner which was partly the setting for her languid disposition and partly the effect of a visit she had paid to some Eastern relatives at an impressionable age. She was intelligent, in a flitting way, a romantic under the moon and unable to decide whether to marry for sentiment or for comfort, the latter of these two abstractions being well enough personified by one of the most ardent among her admirers. Meanwhile she kept house, not without efficiency, for her father, and tried in a placid unruffled tempo to regulate his constant tippling to the sober side of inebriety.
She admired her father. She admired him for his fine appearance and for his charming manner. He had never quite lost the air of having been a popular Bones man at Yale. This charm of his was a standard by which her susceptible temperament unconsciously judged the men she knew. Nevertheless, father and daughter were far from that sentimental family relationship which is a stock plant in fiction, but in life usually exists in the mind of only the older party to it. Yanci Bowman had decided to leave her home by marriage within the year. She was heartily bored.
Scott Kimblerly, who saw her for the first time this November evening at the country club, agreed with the lady whose house guest he was that Yanci was an exquisite little beauty. With a sort of conscious sensuality surprising in such a young man—Scott was only twenty-five—he avoided an introduction that he might watch her undisturbed for a fanciful hour, and sip the pleasure or the disillusion of her conversation at the drowsy end of the evening.
“She never got over the disappointment of not meeting the Prince of Wales when he was in this country,” remarked Mrs. Orrin Rogers, following his gaze. “She said so, anyhow; whether she was serious or not, I don’t know. I hear that she has her walls simply plastered with pictures of him.”
“Who?” asked Scott suddenly.
“Why, the Prince of Wales.”
“Who has plaster pictures of him?”
“Why, Yanci Bowman, the girl you said you thought was so pretty.”
“After a certain degree of prettiness, one pretty girl is as pretty as another,” said Scott argumentatively.
“Yes, I suppose so.”
Mrs. Rogers’ voice drifted off on an indefinite note. She had never in her life compassed a generality until it had fallen familiarly on her ear from constant repetition.
“Let’s talk her over,” Scott suggested.
With a mock reproachful smile Mrs. Rogers lent herself agreeably to slander. An encore was just beginning. The orchestra trickled a light overflow of music into the pleasant green-latticed room and the two score couples who for the evening comprised the local younger set moved placidly into time with its beat. Only a few apathetic stags gathered one by one in the doorways, and to a close observer it was apparent that the scene did not attain the gayety which was its aspiration. These girls and men had known each other from childhood; and though there were marriages incipient upon the floor tonight, they were marriages of environment, of resignation, or even of boredom.
Their trappings lacked the sparkle of the seventeen-year-old affairs that took place through the short and radiant holidays. On such occasions as this, thought Scott as his eyes still sought casually for Yanci, occurred the matings of the left-overs, the plainer, the duller, the poorer of the social world; matings actuated by the same urge toward perhaps a more glamorous destiny, yet, for all that, less beautiful and less young. Scott himself was feeling very old.
But there was one face in the crowd to which his generalization did not apply. When his eyes found Yanci Bowman among the dancers he felt much younger. She was the incarnation of all in which the dance failed—graceful youth, arrogant, languid freshness and beauty that was sad and perishable as a memory in a dream. Her partner, a young man with one of those fresh red complexions ribbed with white streaks, as though he had been slapped on a cold day, did not appear to be holding her interest, and her glance fell here and there upon a group, a face, a garment, with a far-away and oblivious melancholy.
“Dark-blue eyes,” said Scott to Mrs. Rogers. “I don’t know that they mean anything except that they’re beautiful, but that nose and upper lip and chin are certainly aristocratic—if there is any such thing,” he added apologetically.
“Oh, she’s very aristocratic,” agreed Mrs. Rogers. “Her grandfather was a senator or governor or something in one of the Southern states. Her father’s very aristocratic-looking too. Oh, yes, they’re very aristocratic; they’re aristocratic people.”
“She looks lazy.”
Scott was watching the yellow gown drift and submerge among the dancers.
“She doesn’t like to move. It’s a wonder she dances so well. Is she engaged? Who is the man who keeps cutting in on her, the one who tucks his tie under his collar so rakishly and affects the remarkable slanting pockets?”
He was annoyed at the young man’s persistence, and his sarcasm lacked the ring of detachment.
“Oh, that’s”—Mrs. Rogers bent forward, the tip of her tongue just visible between her lips—“that’s the O’Rourke boy. He’s quite devoted, I believe.”
“I believe,” Scott said suddenly, “that I’ll get you to introduce me if she’s near when the music stops.”
They arose and stood looking for Yanci—Mrs. Rogers, small, stoutening, nervous, and Scott Kimberly, her husband’s cousin, dark and just below medium height. Scott was an orphan with half a million of his own, and he was in this city for no more reason than that he had missed a train. They looked for several minutes, and in vain. Yanci, in her yellow dress, no longer moved with slow loveliness among the dancers.
The clock stood at half-past ten …
LGC Publishing • Email
© 2010–2017 LGC Publishing